With his freedom in sight, Baby hopes to find work earning honest money, as well as to start a relationship with a waitress he’s met named Debora (Lily James).
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The real heart of Baby Driver is the protagonist’s story, which sees Baby close to paying off his debt for a heist/robbery organizer named Doc (Kevin Spacey).
#UO BABY DRIVER SOUNDTRACK MOVIE#
While the chase sequences themselves are impressive, they are not the dominant force behind what makes this movie work. In other words, Baby sees life as if it were a continuous song and does his best work when in touch with the rhythm. non-diegetic narrative even extends beyond the action scenes and showcases itself in Baby’s personal life when doing something as mundane as getting coffee. Every time a note goes up or down, it is matched by something on screen, be it a gunshot fired or screech of the tire as it hits the road. As he sings along to a song, they perform the heist, and it all works in sync. The opening sequence alone does a brilliant job at conveying this, keeping the focus on Baby in the car as his three passengers make their assault on a bank. Where other films might use their soundtrack to create or enhance mood, Baby Driver deviates itself from Tarantino-like musical accompaniment by filming scenes as if they were part of a high-octane music video. In other words, every ounce of fight and vehicle choreography moves to the beat of a song on the radio or Baby’s iPod. Before a heist, he syncs up a song with the criminal’s actions from the moment they exit the car, to the point that he actually resets a song if they don’t leave on cue. But it goes further than that: music is synonymous with the action on screen as it is for Baby’s interaction with his profession. As an outward appearance, this image of him in the shades and ear buds establishes Baby in the mold of a silent getaway driver. Having acquired tinnitus from a childhood car accident, Baby drowns out the constant ringing with a variety of songs to keep his mind and ears occupied elsewhere. My suggestion: Do yourself a favor, go enjoy a night out at the movies and go see Baby Driver! Seen at a advance screening in Roseville, Minnesota.To protagonist Baby (that’s B-A-B-Y, played by Ansel Elgort), music is how he communicates with his surroundings. I wanted to keep this review kind of short, but I did want to give you enough information to hopefully convince you to go out and see this film if you get the chance. Baby Driver was paced well, was never boring, and made me want sit back down in my seat and watch it over again. Supposedly Edgar Wright based the whole movie idea around the Baby Driver song by Simon & Garfunkel, which is an accomplishment all on it's own. The music was good, not all of it recognizable by the average viewer, but effective nonetheless. The actors played well off of each other, especially in scenes involving comedy where they nailed the punchlines. This is the first time Wright has worked with this much star power, specifically American star power. Jon Hamm, Jamie Foxx, Kevin Spacey, and Eiza González did their parts well and portrayed convincing mentally unstable killers. All the music fit so well in their respective scenes, combined with the great acting all around to make one of the most entertaining films I've seen in a long time. I must say, Edgar Wright did a fantastic job with this film.
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![uo baby driver soundtrack uo baby driver soundtrack](https://i.ytimg.com/vi/pjnKW6-QMI0/maxresdefault.jpg)
He then decides to try and escape his life of crime, but he soon realizes that it's much easier said than done. During all this, he becomes smitten with a waitress (Lily James) who makes him feel like he's more than just a criminal. To pay them back, he must use his driving skills to help with a number of heists. The film stars Ansel Elgort as the titular character in deep with some undesirables from the criminal underworld.